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Heartmouth

by Sam Behymer

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FreeDoum
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FreeDoum Soothing voice and elegant words Favorite track: Dear Los Angeles.
Linnea
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Linnea Sam Behymer's voice is so beautiful and emotional. I can't stop listening to her. Favorite track: Sunflowers.
Chad Mills
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Chad Mills I love the variation in sounds across the songs, the way even negative things are represented in positive and uplifting ways, and the quirky humor in this album.

"Besides" is my favorite. The line about reading too slow is charming and it's filled with gems like that.

I like every single song, although Besides, I Took the 99..., and If You Don't Mind stand out. Favorite track: Besides.
Colton O'Connor
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Colton O'Connor Heartbreak never sounded so sweet. Favorite track: If You Don't Mind.
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1.
Besides 04:07
i think i've suddenly gotten over it no thanks to you and your adorable face i think i'll laugh about this four or five years from now i think i've suddenly gotten over it somehow besides you're far too tall for me besides your voice is not quite deep enough besides you knock me off my feet and oh i'd rather be carried than tripped i'd rather be loved than have my heart ripped open i think i'll liberate the masses tell them you're not worth all the trouble you cause pretend you miss me oh pretend you know what this is about i think i'll liberate the masses so watch out besides you're far too tall for me besides your voice is not quite deep enough besides you knock me off my feet and oh i'd rather be carried than tripped i'd rather be loved than have my heart ripped open besides you can't even sing besides it bothers me you read so slow besides you're everybody's dream and oh i'd rather my dream be just mine i'd rather have someone who can be mine only
2.
i took the ninety-nine to get away from you and nobody in any of these other cars knows somebody pumped all the oxygen right out of the valley and we've only got a couple days to live funny the feeling in my chest is just the same you tie knots in my lungs too i took the ninety-nine to get away from you everybody else leaves me full of holes step on the gas and blow past dirty bathrooms we've only got a couple miles to go funny i won't remember the sun in this place you knock open my eyes too i took the ninety-nine to get away from you the hills are alive and i'm not fighting the urge to hurry hurry home i took the ninety-nine to get away from you and here i am in your shadow again
3.
dear los angeles dear dear you are the stranger in my car teach me to dream with the lights on i didn't know we'd get along so well where were we before they turned the lights on oh i am skyline you are sky without you i am nothing but straight lines dear los angeles dear dear how steely wide and wonderful you learning to dance with my shades on nobody sees so nobody will tell l.a. the kid with the shades on oh i am skyline you are sky without you i am nothing but straight lines l.a. the kid with the shades on take the stairs with me we have a city to see los angeles i found you
4.
i work the fade you work the shine they don't want your money they want your time i'd rather walk if you don't mind do you mind i'll load the guns you hold the line i happen to be very bad at goodbye i'll have a go if you don't mind do you mind then i'll put this song over my head to win you back and you'll say baby baby we belong knocking over hearts like banks and running i'll order out and you unwind told you the weather would be divine save me the best if you don't mind do you mind i am the words you be the spine we can be dynamite when combined just a bit late if you don't mind do you mind then i'll put this song over my head to win you back and you'll say baby baby we belong knocking over hearts like banks and running we got it wrong but i guess it's probably not our fault i'll be the boss you be the mind roll it down bleecker street meet me outside table for two if you don't mind do you mind then i'll put this song over my head to win you back and you'll say baby baby we belong knocking over hearts like banks and running we got it wrong but i guess it's probably not our fault then i'll put this song over my head to win you back and you'll say baby baby we belong knocking over hearts like banks and running
5.
if you give it to me i will break it i don't want to but i will i can't be trusted my little body is full of rogue wave words that will tear you apart and leave no trace if you are brave if you stand on the rocks i promise i will break your heart i am trying to be sorry i anticipate the pain you will feel worthless you will never want to blame it on me you won't even say my name this is not safe if you are brave if you stand on the rocks i promise i will break your heart it's not a game and i don't win when i let go but you lose if you are brave if you stand on the rocks i promise i will break your heart
6.
Sunflowers 03:38
she's nice but she's not you and she doesn't have a smell of her own i think we would have laughed about how nice it is of her to try, though i wish you could've heard me sing i wish you could've seen us dance i wish we could go swimming in november but i'm too old and you're gone does anybody bring you flowers, lady? i'm smart you would be proud i go to school beside the ocean i laugh and walk and smile like you i'm worthless in the kitchen though i wish you could've heard me sing i wish you could've seen us dance i wish we could go swimming in november but i'm too old and you're gone does anybody bring you flowers, lady? i can't remember my keys but i remember the january you flew home does anybody bring you flowers, lady?
7.
Funny Thing 04:29
funny thing funny thing funny thing i unhooked my heart for you when i thought i had kept everything for my own you crept in in the dark and unwrapped all that i had hidden you whispered in my ear and i let go funny thing funny thing funny thing i unhooked my heart for you and i marched off the edge believing you'd be there you'd be there to applaud my resolve and my submission be there like you're here with me now funny thing funny thing my funny thing i unhooked my heart for you
8.
Heartmouth 03:44
would you open up your heart mouth and let the voice out let the voice out let it hit the empty chairs and stack up in the corners stack up in the corners and we will all go home with pockets full of sound if you'll open up your mouth and let the voice out the race is on when spring is gone what's living in our heads will hit the paper if i believed in half of me they'd be getting more than what they paid for would you open up your heart mouth and let the voice out let the voice out let it hit the empty chairs and stack up in the corners stack up in the corners and we will all go home with pockets full of sound if you'll open up your mouth and let the voice out tear it up so it makes the cut and give yourself a pretty solo don't respond and we'll move on act like you know something I don't know would you open up your heart mouth and let the voice out let the voice out let it hit the empty chairs and stack up in the corners stack up in the corners and we will all go home with pockets full of sound if you'll open up your mouth and let the voice out so they tied her to the fencepost and then what does she ever come back down would you open up your heart mouth and let the voice out let the voice out let it hit the empty chairs and stack up in the corners stack up in the corners and we will all go home with pockets full of sound if you'll open up your mouth and let the voice out

credits

released July 29, 2009

produced, recorded, and mixed by jan stolpe (culver city, ca); performances by samantha behymer (vocals, piano, guitar) and hunter stanfield (guitar)

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Sam Behymer Los Angeles, California

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